HATCHLAB GRANTEES 2018
A Place At The Table (working title)
Milena Velis with Cynthia Oka, T.C. Owens, Sheila Quintana and Jazmín Delgado – a collaboration between Media Mobilizing Project and New Sanctuary Movement
In December 2017 Carmela Hernandez and her four children took sanctuary at the Church of the Advocate, a predominantly Black church and organizing hub in Philadelphia, PA. Carmela has a pending deportation order to Mexico, and plans to live in sanctuary until she can stop her own deportation, making a public act of resistance against the criminalization of immigrants. A Place at the Table explores the relationships and community built by the people coming together to support and fight alongside Carmela and her family, and how working class Black and immigrant community members build relationships of solidarity and learn about each other’s realities, struggles, and dreams. Working collaboratively with Carmela and the New Sanctuary Movement, artists from Media Mobilizing Project will create short form documentary work focused on shared meals and the day-to-day realities of living together as a community. Inspired by the words of Rev. Dr. Rennee McKenzie: “We benefit ourselves when we stand for and with each other to fight for justice and a place at the table.”
The Stories of Strawberry Mansion
Keir Johnston with Ernel Martinez, Martha O’Connell, Chidi Asoluka
While Strawberry Mansion and Brewerytown are currently in a vice grip of speculative development and gentrification in Philadelphia, there are also new and important resources available to the neighborhood’s young people and families through vibrant community development programs. The collaborators on this project ask, “how do we ensure that the neighborhood residents are able to benefit from and access these new resources authentically, and have a say in what they are?”
The Stories of Strawberry Mansion is a collaboration between local art collective Amber Art & Design, with Fairmount Park Conservancy and The New Community Project. Through a process they call Story Exchange, the community-based artists are collecting stories from local residents, and sharing with each participant the story of one of their neighbors. They will host bi-monthly events and community dinners that will feature live storytelling, facilitating deeper connections in the neighborhood and building towards collective decision-making about how to spend the resources being allocated for local schools, parks and programs. The hope is to redefine and rewrite the relationships between the neighborhood and its institutions, creating a new support network based on participation, trust and collective voices.
Community Futurisms: Time & Memory in North Philly 002 (Progress Aerospace Enterprises)
Rasheedah Phillips with Camae Ayeva (Black Quantum Futurism Collective), Ras Mashramani (Metropolarity Scifi Collective), Danise Valentine, and Fair Housing Rights Center of Southeastern PA
In Philadelphia in the 1960’s, Rev. Leon H. Sullivan, a civil rights leader and minister at Philadelphia’s Zion Baptist Church, established Progress Aerospace Enterprises (PAE), the first Black-owned aerospace company. An innovator of its day, PAE had strong connections to the civil rights movement, affordable housing, economic stability in the Black community, passage of the Fair Housing Act, and the space race. Sullivan also founded the Zion Gardens affordable housing project and Progress Plaza. Community Futurisms is an ongoing collaborative art + research project exploring the impact of redevelopment, gentrification, and displacement within the North Philly neighborhood known as Sharswood. In this iteration, the collaborators will produce an interactive and participatory art exhibition based on this extraordinary legacy. The exhibition will feature the work of multiple local artists and storytellers, and will include writing, co-created zine production, collage art, film, soundscapes, and sculpture. The vision of Community Futurisms also includes oral history/oral futures interviews with surviving individuals from PAE, as well as a series of story workshops, affordable housing discussions, and collaborative art-making activities. https://www.blackquantumfuturism.com/community-futurisms
Re-imagining Migration 360
PhillyCAM, Brookline Interactive Group, and Gabriela Watson Aurazo,
As Philadelphia affirms its status as a sanctuary city committed to the safety of its immigrant residents, opportunities for those targeted communities to be heard and share their points of view are more needed than ever. Access to multilingual media content and training is a way that communities can tell their stories through their own means — promoting understanding and respect through cultural exchange. PhillyCAM’s Atrévete producers together with a diverse group of local immigrant artists will learn how to use 360 filmmaking to share their stories of migration in new, immersive ways. Audiences will interact with the work online and at live events. The narrative will explore a physical environment while interweaving elements of memory, dreams, aspirations, and struggle. PhillyCAM and Brookline Interactive Group want to use this project as a way to go beyond headlines to create intimate portraits of those most affected by the current administration’s position on immigration; from the story of a single dreamer facing possible deportation to a migration story that spans 3 generations. This project presents an opportunity for PhillyCAM to become a local leader in 360 storytelling to support others working in the non-profit and social enterprise field. They hope to create a template for a strong immersive news/content sharing network, engaged communities, training programs, and collaborative, community-based VR projects.
SPECIAL WRITING COMMISSIONS
The Native Gentrification Project
Nic will write about his concept of “native gentrification,” a modern-day example of W.E.B DuBois’ “double-consciousness theory.” Within the context of life in New Orleans, Nic is raising compelling questions about the complications of the African-American experience of gentrification and the layers of identity narratives emerging in popular culture.
Imani Jacqueline Brown
Truth As Theatrical Fiction
Imani is pursuing an ongoing exploration of the meaning of truth in an age of fake news, alternative facts, and the resurgence of global fascism. This project brings to light a series of kaleidoscope conversations and interviews where participants share personal and social mythologies about truth, prejudice and politics. How might posing questions without answers reveal our deepest divides — and give us the visual language to heal?
We began the HatchLabs in 2016 focusing on Climate Change and Environmental Justice storytelling;
- March 21/22 at the Carnegie Institution for Science, in collaboration Environmental Film Festival at our Nation’s Capital
- April 10 at the Skoll World Forum in Oxford — in collaboration with Sundance Institute’s Stories of Change Program
- June 7 at the NAMAC Conference, ALLIANCE 2016, in Oakland, CA
In 2017, the HatchLabs will explore Racial Justice and Inclusion:
- August 2 at the BlackStar Film Festival in Philadelphia, in collaboration with The Colored Girls Museum
- October 10 at the New Orleans International Film Festival, in collaboration with Antenna Collective
- November 2 in Chicago, in collaboration with Appalachian Media Institute, RYSE Media Center and Donda’s House
For further information, contact Alliance HatchLabs Producer Adwoa Gyimah-Brempong, email@example.com
To see a video of the 2016 HatchLabs click here.
Innovation Studio Projects 2018
The ALLIANCE Innovation Studio provides a space to support the development of unique interactive digital media projects and other story-driven open source social justice tools and technologies that are designed to serve the field and foster new creative experiences and social impact in communities around the world.
Strategy, design, development, and prototyping in The ALLIANCE Innovation Studio is customized and unique to each project. We bring together a team of creative and tech experts based on the needs of the project; the central requirement for inclusion in the Innovation Studio is a commitment to sharing out the development process with the the field and making the the project available for replication in diverse communities and contexts. We’re talking about publishing the code, sharing data and providing templates or toolkits for meaningful and effective adoption.
The 2017 Innovation Studio Projects are:
Insight Garden Program, San Quentin State Prison (Amanda Berger)
Blue Ventures (Martin Muir)
The 2015/2016 Innovation Studio Projects are:
The Alliance for Media Arts + Culture has teamed up with Microsoft to build a very smart digital library of independent film, video and photography. It’s called FRED.
FRED means “peace” in Scandinavian languages.
And it’s a very cute name. FRED promotes peace by connecting people through the power of story. It is a new tool that puts AI and machine learning technology to use for the preservation and innovation of global culture, stories and humanity.
FRED provides access to vaults of previously inaccessible or little-used archives, independent film and video, and orphaned public media works. FRED can also create access to unseen footage from “cutting room floors” that could be incredibly valuable in a new context. FRED can help us re-ignite interest in the histories that are not taught in school. FRED can empower us to illuminate the stories often excluded from “dominant narratives.” FRED can rise up unknown, lost and forgotten content to inform our work, our learning and our lives. We need FRED to help us envision and narrate our desired futures.
We are building FRED in collaboration with Microsoft, along with an international network of media arts organizations and archives, independent filmmakers and editors, scholars, photographers, librarians and technologists. Here’s the plan for the first version of FRED:
- ● FRED ingests as much contributed, archived and public domain footage as is humanly possible to curate — in full collaboration with rights holders.
- ● FRED automatically indexes the footage so it is searchable by a diverse and exciting set of metadata: place, time, sentiment + emotion, gesture, person, utterance, and more.
- ● FRED can translate audio into subtitles in 14 languages at the present time, and can deliver them to streaming content.
- ● FRED can protect the visual identity of people, per request of rights holder.
- ● FRED automatically returns clips and information based on the specified search criteria (i.e.’ Archbishop Desmond Tutu laughing in New York between 1975 and 1980’, or ‘Sound bites about LGBT hate crimes’). Watching is free.
- ● Members of FRED can pay to license specific clips for use in new works or for educational or exhibition purposes – per agreement of the rights holder. FRED connects you to the rights holder and processes your payment once approved.
Imagine if FRED was embedded in film editing software, enabling automatic rich media searches for exactly what you are looking for, when you need it. Then imagine if you could call on FRED in academic libraries and research labs, social media networks, online learning environments, or activism trainings. FRED will exist through multiple interfaces, allowing users to quickly and easily interact with a wealth of media.
FRED is a soulful new machine – a new media library of the future — that will help humans have access to the richness that is our global media culture. To expose injustice, to uncover secrets, to illuminate the undiscovered, to honor the past, to empower those whose stories must still be told.
To support FRED with funding, resources, brainpower or media contributions, contact The Alliance for Media Arts + Culture Executive Director Wendy Levy, firstname.lastname@example.org
Story Revivals are a new genre of “restorative media event” that includes music, film, food and conversation. These events are designed to bring people together – across generations, beliefs, and backgrounds – for a uniquely creative experience designed to revive the spirit, open the imagination, build community dialogue, and instill hope for the future.
What happens at a Story Revival? Picture this. A few hundred to a few thousand people come out on a Saturday night. The venue has a large lobby and reception area – maybe a hall, a tent, a conference center — you’ll know it when you see it. As people enter, local musicians play, and maybe there are jugglers or dancers or costumed welcomers. The vibe is inviting. Food from local vendors is available, festive beverages, and communal tables are hosted so if you sit, you can meet someone new if you want to. After about 20 minutes, the event hosts gather the crowd to go into the theater. The first part of the program features church choirs singing secular songs to bring folks to their feet. We’re talking black and white interfaith choirs, singing together. After the musical portion of the program, there is a 30-minute screening of selected shorts and clips from powerful documentary films “curated to connect” audiences and spark a Town Hall-style conversation that flips the script on traditional Q&A’s. The artists and subjects of the films ask questions of the audience, and using a call-and-response style, the event host helps gather local wisdom, energy and insight. Nonprofit orgs shout out workshops and events that will follow-up the revival, and poetry + music closes out the evening, bringing the crowd back to its feet, revived and inspired.
We are gathering a network of members and partners to help hone the model for these events so they are easily replicable in any community. Beginning in Charleston, West Virginia, we are joined by Reveal News, Auburn Seminary, Alternate Roots and the Southern Doc Fund to support the first Story Revival. Stay tuned for dates and details!
A HatchLab is a new kind of global storytelling workshop. Designed to build creative strategy muscles for filmmakers and nonprofit organizations, HatchLabs facilitate collaborations between artists, movement leaders, scientists/technologists, civic leaders, policy makers and communities. HatchLabs offer new tools and opportunities for the voices of those traditionally marginalized to be a central part of creative ideation and social reform.
HatchLab participants gather for a single day, from 9AM – 5PM, joining a team of award-winning artist/mentors to explore inclusive, collaborative, and responsive storytelling models, build deeper connections as a creative community, and activate new narratives designed to embolden and sustain vulnerable communities.
After a HatchLab, the collaborative projects that emerge from the workshop are eligible for funding and mentorship throughout the year. We feel an urgency to move beyond tired Hollywood tropes, appropriation and apocalyptic messaging to support co-created films and videos, community-based artist residencies, interactive projects and innovative technologies that honor and amplify the voices, wisdom and lived experience of the people whose stories are told.
A NEW KIND OF HATCHLAB
The Urban/Rural Co-Lab
This year, we experimented with new intersections in our HatchLab program, and designed a something special with youth mediamakers in mind. Leveraging the work of both the ALLIANCE Creative Leadership Lab and HatchLabs, we connected with our partners at the Appalachian Media Institute and RYSE Media Center in Richmond, CA to create the Urban/Rural Co-Lab to help connect urban and rural young people around the issues, ideas and creative expressions most important to them.
It has been a challenging time for Appalshop as they pull in and reflect on their ongoing work — in a community where upwards of 70% of local folks voted for Donald Trump. They have collectively witnessed the impact of our nation’s deep rural / urban divide and we are looking forward to finding new pathways for solidarity, collaboration and visioning towards of a future of connectivity and as Bayard Rustin says, more community centers of power for the advancement of civil and human rights.
Towards that end, we have been in conversation to envision new ways to bring rural and urban storytellers, young media makers and leaders together to collectively imagine a path forward beyond the reductive “trump country” slogans. We have invited 10 RYSE artists from inner-city Richmond, CA, and 10 Appalshop Media Institute artists from the heart of Appalachia, to participate in a day-long creative lab in their respective communities, exploring innovative storytelling strategies, cultural difference + otherness, and multi-platform/inter-disciplinary approaches.
We will do a lab with each group – one in Kentucky and one in California, and then we’ll bring them all together at Catalyst Ranch in Chicago for a retreat-style experience in “neutral” territory to facilitate collaboration and group work. Each organization will mentor and co-produce the youth projects emerging from the experience and we’ll plan a series of real world and online exhibitions, performances and conversations by the end of the year. After the pilot with RYSE and Appalshop, we would love to work with other partner organizations like Spyhop, Tribeca Teaches, Say SI, Better Youth, Scribe and so many others. Let us know if you’d like to build an Urban/Rural Co-Lab in your community. Send an email to email@example.com – we’ll get back with you asap.