diversity

Race and Gender in “Online Influence” Rankings

Blog Author: 

Joseph S. MillerSeveral services have cropped up purporting to rank the “popularity” and “influence” of social media users. Some sites have ranked blogs based on visitor traffic alone. The history of discrimination against small media outlets warrants a critical look at how ranking services in new media will affect small businesses seeking to develop their brands.

Introduction for the NCWO Women’s Media Policy Statement

Blog Author: 

Ariel DoughertyThis past July when the 3rd Court of Appeals remained back to the FCC its attempt to loosen ownership rules largely due to the FCC’s failure to address women’s and minority media ownership a few women’s media organizations decided it was time to become more proactive on women’s media policy. Digital Sisters, New Moon Girls, Women in Film/DC and Media Equity Collaborative galvanized around the National Coalition of Women’s Organizations (NCWO) to formulate a new women’s media policy.

Educating Creators

Blog Author: 

Joseph S. MillerThe discussion about providing underserved communities with “digital literacy” skills is too often limited to the skills people will need to be better media consumers. Too little emphasis is placed on equipping the public with the science, technology, engineering, arts, and mathematics (STEAM) skills they will need to be globally competitive and to be producers of media content.

Status Update: Disconnecting…See You In A Few Days

Author: 
Kate Lorenz

Connecting with people has never been easier than it is today. Thanks to technology and social networking, we are literally able to get up-to-the-second updates about the comings and goings of hundreds of “friends” near and far. This is powerful and exciting. Yet it seems as visual arts administrators, we’ve got so much to do and so little time to do it that we are rarely able to meaningfully connect with each other. This summer, however, I had the chance to “disconnect” from status updates and text messages and connect with an impressive group of arts professionals at the 2009 NAMAC Leadership Institute for Visual Arts Organizations.

We Make the Road By Collaborating

Blog Author: 

Collaboration has moved from the sidelines to the center of how we do business and fulfill our arts and cultural missions. As media arts organizations and practitioners, our context is an increasingly interdisciplinary and participatory culture.

SHIFT

Author: 
Larry Daressa

The following sketches ideas which will be developed more fully in a forthcoming article on California Newsreel's 30th Anniversary and its implications for independent social change film production and distribution. The author is Co-director of California Newsreel but the views expressed here do not reflect those of California Newsreel.

I suppose, in the overused parlance of the time, this should be an occasion to "celebrate" California Newsreel and its 30th anniversary. Age, however, disposes me towards more sober and sobering reflections.

Information Technology: The Masses' Media

Author: 
Marlina Gonzalez
For someone who has been attending NAMAC conferences since the '80s, as an organizational member and as a board member, each year always brought out the variations of the important themes of activism, democracy, access, multiculturalism. But one factor was so different this year: how digital technology has permeated street culture.

GAME

Author: 
Shirley Driving Hawk Sneve
A quick look at Webster s finds words like "war" and "athletic events" to define "game" and "strategy." For someone who s never been particularly interested in war or athletic events (except when the Pats or Red Sox win), I spend a great deal of time "playing games" and thinking strategically.

At Native American Public Telecommunications, new technologies make strategic planning increasingly important. I often end my days with many more questions than answers.

CODE

Author: 
Anula Shetty
People experience films differently. Part of the pleasure of viewing certain kinds of films lies in unraveling a secret language or code. At the recent 50th Robert Flaherty Film Seminar, where most of the contemporary work presented was avant-garde, a strong issue arose: the divide between experimental and social documentary film.

Are makers of experimental and personal works isolated narcissistic beings, working in codes that are inaccessible to most of us, and constantly reflecting on their existential crises?

MIX

Author: 
Karen L. Ishizuka
From East to West: take the Downtown Community Television Center in New York, pick up the Evanston Township High School in Illinois, bring in the Santa Fe Indian School in New Mexico, blend with the Vietnamese Youth Development Center in San Francisco, and what do you get?

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If so, send your updated info to Aggie Ebrahimi Bazaz at aggie [at] namac [dot] org!