community media

Best and Worst of 2009 in Art and Public Media

NAMAC members weigh in on the best and worst of 2009: from work ethic to public media, web 2.0 projects to local organizing efforts. 

Hear from Julia Kirt of the Oklahoma Visual Arts Coalition on the 10 Worst Artist Excuses for Turning Proposals or Artwork in Late, read up on the top 10 download folder items that Belinda Rawlins of the Transmission Project keeps coming back to, and check out Patty Zimmerman's list of the best international multi-platform Web 2.0 projects of 2009.  

Bringing Community Media into the University: A Strategy for Developing Media Arts Programs

Author: 
jesikah maria ross
Community media work has always been hard to fund, and it’s only getting tougher with today’s economy. Meanwhile, universities are looking for creative ways to reach out to the communities that surround them and have the resources to do it. As a media artist/educator living in a university town, it occurred to me that I could design the kind of participatory, social change oriented media projects I’m passionate about in a way that meets the university’s needs. So I put these puzzle pieces together and over the past two years developed the Art of Regional Change (ARC) at the University of California Davis, 15 miles west of Sacramento.

Status Update: Disconnecting…See You In A Few Days

Author: 
Kate Lorenz
Connecting with people has never been easier than it is today. Thanks to technology and social networking, we are literally able to get up-to-the-second updates about the comings and goings of hundreds of “friends” near and far. This is powerful and exciting. Yet it seems as visual arts administrators, we’ve got so much to do and so little time to do it that we are rarely able to meaningfully connect with each other. This summer, however, I had the chance to “disconnect” from status updates and text messages and connect with an impressive group of arts professionals at the 2009 NAMAC Leadership Institute for Visual Arts Organizations.

18 Actions Towards A Sustainable Truly Free Film Community

Author: 
Ted Hope
The time is now. If we don't fully own the absolute necessity to change how we've all been working, we won't be working -- and we won't have the illuminating, inspiring, transforming films that we now enjoy. It's your choice, but action is required.

There is the capacity for many more of us to create and prosper from creative media work. This capacity can also close up and vanish along with our audiences. The canaries are now the size of Big Birds and we somehow are able to ignore them (but that is a subject for a different posts).

National Alliance for Media Arts and Culture Hosts 2009 National Conference in Boston

Author: 
NAMAC
On August 26-29, a broad array of arts administrators, media producers, scholars, social media gurus, advocates and artists will gather in Boston for CommonWealth, the 2009 edition of NAMAC’s biennial national event.

We Make the Road By Collaborating

Author: 
Paula Manley
Collaboration has moved from the sidelines to the center of how we do business and fulfill our arts and cultural missions. As media arts organizations and practitioners, our context is an increasingly interdisciplinary and participatory culture.

Commonwealth Comes To Boston

Author: 
Yolanda Hippensteele
Over a year ago, when NAMAC chose Boston as the location for its 2009 biennial conference and chose “commonwealth” as its theme, nobody involved knew how important this convening would become.

CONTEXT

Author: 
Dirk Koning
Looking back at the late nineties fifty years from now will be quite entertaining. I won't be here to do it, but being one never to miss the fun, I'll take a crack at it now.

The 1990's have been dubbed the decade of the Web. What hype and hyperbole spewed forth with the onset of the primitive Internet application. Prognosticators predicted the end of every non-virtual institution. Fortunes were made by college grad's overnight with the offering of things appropriately called, "YAHOO".

HEAT

Author: 
Scott Noegel
While Seattle's cable access station (TCI, Channel 29) recently has taken some heat for one program with some questionable content, the overwhelming volume of its high quality arts programming has gone unnoticed. Writing as an organizer of the Seattle Independent Film and Video Consortium (SIFVC), I find this lamentable, since the curators of these programs have taken creative steps to network their content with the community and leading media arts organizations in the city.

Starting Strong: South Korea's Media Arts Community

Author: 
Peter Mitchell
Everyday occurrences can lead to extraordinary events. Not long ago a polite gentleman visited 911 Media Arts Center and asked me for a tour. This isn't unusual; giving tours is part of my job. However, I was surprised to learn he was the director of a brand new media center in South Korea called MediACT. He told me he was researching different media arts center models and was interested in 911 because he liked our website. As webmaster, I was terribly flattered. I proceeded to show him every last detail of our center, and he dutifully captured it all on video.